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When it comes to Raold Dahl on film the results have been a bit of a mixed bag. For every Willy Wonka there’s Spielberg’s The… Read More »LFF 2022: Matilda The Musical – a big “bring the family” musical
Joanna Hogg is a singular type of director, inhabiting that world of British kitchen sink drama along with a sense of the more austere, her… Read More »LFF 2022: The Eternal Daughter review – a slightly too long meditation on grief
Viola Davis leads the charge in this full throttle crowd pleasing epic
Ana de Armas struggles to keep this exploitative slog alive
Sosie Bacon’s lead turn is the only saving grace in this horror offering
This Cannes Festival Favourite is a dark hearted satire and a fitting tribute to Charlbi Dean
Olivia Wilde’s controversial new thriller is neither a genre classic nor a total disaster
Cronenberg’s return might one for the die-hards, but features strong visuals.
George Miller isn’t a guy who rushes movies out. Since his Aussie exploitation movie Mad Max back in 1979 Miller has only helmed nine films.… Read More »Three Thousand Years of Longing review – little escapism aimed squarely at the adult audience
It’s been a fairly barren summer for releases, studios appeared to have all conspired to shoot their load pre-summer so that the mush of Thor, Top… Read More »The Invitation review – it’s a bloody fun time
In an over saturated market of superhero franchises that dominate the world it would feel like an original creation might be a moot point, and… Read More »Samaritan review – Stallone and Walton carry the film with ease