Charlie’s Angels review – an enjoyable mess with enough laughs for the franchise to survive
Elizabeth Banks has brought the crime-fighting force back to the big screen, but do we need them?
Elizabeth Banks has brought the crime-fighting force back to the big screen, but do we need them?
Brightburn is an enjoyable romp, but there’s a better, darker movie underneath that doesn’t quite break free.
Aca-farewell. Here’s our review of the final film in the Pitch Perfect tribology.
A film with solid performances, but is it working in all the other areas?