Since winning the best International Feature at the oscars for his phenomenal LGBT+ drama A Fantastic Woman, Sebastian Lelio has continued to make interesting work… Read More »LFF 2022: The Wonder review – how human beings need stories to make sense of their world.
Olivia Wilde’s controversial new thriller is neither a genre classic nor a total disaster
Scarlett Johansson and the newer Florence Pugh make the spin-off/tie-in a worthwhile effort.
We’ve done it again: here are our alternative picks for this year’s Oscars, the overlooked heroes of 2019’s big screen.
Greta Gerwig’s warm coming-of-age feature is a pleasure to watch.
This unsettling horror is a journey that will enthral some, and turn off others.